Music Composers, Authors & Songs

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505
Treharne, Bryceson
Through Acadia; The Gay Ones; Tinsel; This New York of Mine; Good Old Yesterday; An April Song; The Shop of Dreams; Jogging Around New England; Pretty Girls Get There; Gentlemen Behave; Roosevelt as the Poets Saw Him; and an auto­biography So Far, So Good. Address: Estate, c/o ASCAP.
Trace, Al (Albert J. Trace, Clem Watts), composer, author, conductor, radio and recording artist; b. Chi­cago, 111., Dec. 25, 1900. ASCAP 1944. Educ: public schools. With music as avocation became profes­sional ballplayer, bond salesman; also played drums and sang with popular orchestra. Began musical career 1931, as leader of own orchestra, stage and night-club attraction. Wrote songs for and appeared in feature motion pic­tures. Writer of special material for Lew Lehr for children's songs. Sorigs: "Sweet Words and Music"; "Ssh! Don't Look Now"; "Do You Mind"; "I'll Take Her Back"; "Oh Please Tell Me Darling"; "American Polka"; "Til the Storm Clouds Roll Away"; "On the Ziga Zaga Zaga"; "The Whistler's Song"; "Fickle Fanny"; "You Call Everybody Darling"; "Brush Those Tears From Your Eyes"; "If I Knew You Were Comin' I'd've Baked a Cake." Home: Chicago, 111. Address: c/o ASCAP.
Trace, Ben L., composer, author; b. Chicago, ID., Oct. 15, 1897. ASCAP 1949. Educ: Crerar School. Self-taught in piano. On staff of music publishing house. Entertainer in night clubs and vaudeville 1921-32. World War II, U.S. Infantry. Songs: "You Call Everybody Darling"; "Shh! Don't Look Now"; "Do You Mind"; "Eeny Meeny Miny Mo"; "I Love Every State of the 48"; "Everytime You're Steppin Out"; "Sergeant Mike Mc-Ginnity"; "Sweet Dream, Sweet­heart"; "Is This Heaven"; "Let's Pre­tend That We're Sweethearts Again";
"Lulu Belle"; "If I Could Have My Druthers"; "The Farmer of the U.S.A."; "My Son Bill." Home: 1200 Sherwin Ave., Chicago, 111.
Tracey, William G., author; b. New York, N.Y., July 19,1893. ASCAP 1914 (charter member). Educ.: New York public schools. From amateur acting in school productions became profes­sional entertainer, then member pro­fessional staff popular music publish­ing house. Works: "Gee, But It's Great To Meet a Friend from Your Home Town"; "Mammy O'Mine"; "Barber Shop Chord"; "Bring Back My Daddy to Me"; "He's Had No Lovin' for a Long, Long Time"; "Dixie Is Dixie Once More"; "Give A Little Credit to Your Dad"; "Them There Eyes"; "Is My Baby Blue To­night?" Home: New York, N.Y. Ad­dress: 1619 Broadway, New York 19, N.Y.
Treharne, Bryceson, composer, edu­cator, musical editor; b. Merthyr Tydvil, Wales, May 30, 1879; d. New York, N.Y., Feb. 4, 1948. ASCAP 1943. To U.S. 1917. Educ.: Royal Coll. of Music, London, Erard Scholarship. Studied under Stanford, Franklin Taylor, Parry, Walford Davies, Dannreuther, Pauer, and Parrott. Taught at Univ. of Adelaide, Australia 1900-11. Founded Adelaide Repertory Theatre; wrote incidental music for plays performed there. Re­turned to Europe 1911; studied in Paris, Milan, and Munich. Editor of publications both in Italy and Amer­ica to promote theatrical art. World War I, interned in German prison camp two years. Lectured in Music, McGill Univ., Montreal 1923-27. Doctor of Music, McGill. Editor of Boston Music Company and Willis Music Company 1928. Works for chorus and orchestra: The Banshee for soloists, chorus and orchestra; Operettas: The Toy maker; Abe Lin-coin; A Christmas Carol. Songs: "A